Book Review: Goliath

Bit later than I would have liked this review to be up, like it's predecessors this book was released back in the fall but between waiting for the library to get it and my large to-read pile (I, erm, may have bit off more than I could chew, combined with my March break I have more than enough books to review for a long time) it took a while to get to it. So no I do not have a copy of this book yet but fully intend to get one soon, if my anime expenses don't take over my budget for another month....

Goliath by Scott Westerfeld, illustrated by Keith Thompson

Summary: Deryn and Alek continue their trek eastward on the Leviathan as the world falls farther and farther into war. But the Leviathan might have the solution to the end of the war, along the way they pick up renowned scientist Telsa who claims to have a weapon that could level cities at a glance, a weapon that force anyone to stop all the fighting and what Alek is banking on. Deryn and the other Darwinists have their doubts however and Deryn is finding that it's becoming harder and harder to hide her true identity and the more involved she becomes in the world's affairs the more dangerous it becomes to reveal it.  

The Good: Westerfeld continues to expand his world by showing off Japan and the Americas and their blends of technologies and ideologies was nice*. Also nice was some characters from the second book reappearing, I’ve grown rather used to trilogies which have different expanded casts in every book that this was a nice surprise. The book actually balanced a large cast very well with even more factions being introduced and no one felt like a flat, background character. This was helped in part by the pacing, a lot happens in the story and the Leviathan covers even more ground than the first two books and it never feels like one area or place drags on too long or is breezed by too quickly, everything flowed very well.  Finally, fans should go to Westerfeld’s blog and read the extra chapter set after the series which was quite fun.

The Bad: While the ending wasn’t bad and was what I had been expecting, since I knew the actual history Goliath was borrowing, so it wasn’t quite as satisfying as I had hoped. Again, it’s a reasonable ending, makes sense (hence I had predicted something rather close), it just didn’t hit the right emotional notes with me (not the very end end, the whole ending in general). I was also a bit underwhelmed with what the Lorises were really supposed to be, it does sound like Doctor Barlow broke a major rule while creating them but I still fail to see why they were ever supposed to be important to the conflict. Overall, the ending was a bit underwhelming and played out fairly close to what I predicted and, as someone who likes tricky plots I found it a bit unsatisfying. 

The Art: The art continues to be stunning and while I felt like some of the crowd scenes weren’t quite as detailed as the ones from the second book but the art has noticeably improved from the first book (which wasn’t bad, it simply got even better). The art continues to be the easiest way for me to promote the book to friends (it’s much easier to flash a few pictures from a book rather than find time to make someone read a few passages that they hopefully like) and it’s the biggest reason that this book is on my to-buy list (and on a similar note I'm excited for the companion guide which will have even more illustrations in it, coming out later this year I believe). 

Despite the ending not being quite as interesting as I hoped this was still a very strong installment to end on and I'm looking forward to whatever Westerfeld writes next. Actually, come to think of it I don't think I've heard of what his next project is (other than the pre-Uglies graphic novels and the companion book for this), hope it's interesting!

*although I question that the [American] South, the god-fearing South which today still has issues with “moral debates” today (I mean, for god's sake my state votes on a constitutional amendment against gay marriage even though it's already illegal) being the half that had fabricated beasties, I can see where he was going with the North and their machines but it didn’t quite work for me, an East-West split with an industrialized East and a fabricated West would have made much more sense.

Movie Review: The Adventures of Tintin: Secret of the Unicorn

There are some films that I plan to see at school since I know I'll enjoy them more if I see them with friends and when I saw the trailers for this film I suspected that might be the case. There was nothing wrong with the trailers for The Adventures of TinTin, it just looked a bit silly, I actually managed to figure out that it was CGI instead of live action when I saw the scene where a pirate ships coasts over the waves of a desert and that scene seems to sum up the movie, silly and often illogical but in an entertaining manner.

The Adventures of Tintin: Secret of the Unicorn

 

Summary: Tintin is an intrepid young reporter with a nose for a story whose been on dozens of adventures already (accompanied by his faithful and clever dog snowy). So when he discovers that the old model boat he recently bought it part of a puzzle involving centuries old treasure he jumps right into the mystery, where ever it might take him.

The Good: With the exception of a few scenes the pacing worked well, despite it's short run time nothing felt rushed and it didn't seem like the characters lingered too long in any one place for too long.  I found Snowy to be the most enjoyable character to watch and, much like the penguins in Mawaru Penguindrum, any scene that has Snowy in it has him off in the background doing his own antics (sometimes related to the plot and sometimes just as a joke) and I liked that attention to detail, it was amusing and made me appreciate the thought that went into those scenes a bit more. The movie was filled with details actually, more on that in the visuals, but I was happy to see that they went to a lot of effort to make the "sets" feel just as real as the sets in a traditional live action film would be and that really helped.

The Bad: I was a bit confused by the setting, which seemed mostly like France but with some odd British details, which seems to be a carry over from the original comics but other people have pointed out that the movie also isn't sure when it's set with newspapers giving the date as 1938 yet cars from the 30s, 40s, and 50s making appearances. It wasn't enough to annoy me but it was enough to jolt me out of the movie a few times which is never a good sign. Additionally, I am convinced the reason Spielberg decided to make this film in CGI instead of in live action was so that he could completely ignore the laws of physics for a few scenes and, like a certain scene from Super 8, while those scenes were amusing at first they just dragged on so long that my suspension of disbelief was entirely broken and I got bored by it. In a way, even when the characters are doing something completely unrealistic you still need some realism to ground the scene and give the scene from stakes, without that it's just hard to take any of it seriously and be entertained by it. 

The Audio: Even if the visuals make the setting a bit unclear time-wise some of the musical pieces immediately made me think that the movie was set in the 1930s vs the 1940s and that's a good thing, it shows that the music is doing it's job at adding and giving more meaning to what's on screen. Since all the actors did both the motion capture and voices for their characters I suppose it technically doesn't count as voice acting here but in any case everything worked there as well, everything matched up and no one had an out of place sounding voice.

The Visuals: The movie is entirely in CGI, shot using real actors with motion capture technology (and a pull toy for Snowy) and, as tvtropes put it, it seems like we've finally hit the other side of the uncanny valley. It's actually hard to tell at first if the movie is CGI or not and when you figure out it's not because everything looks too perfect or that the characters faces just don't look right, it manages to be both realistic enough that it tricks your mind yet not be so realistic that it becomes creepy. Spielberg takes full advantage of what CGI lets him do and creates elaborate settings, overly complicated chase scenes, and plenty of other things that wouldn't be possible (or at least nearly as easy to do) with a live action film.

In the end I wouldn't call this film an all-ages movie but a kid's movie, I just didn't get enough out of it to justify paying more than a few dollars to see it. It appears that there is a sequel in the works and I might see that if I find it playing at a cheaper theater as well but this film didn't leave me with the burning desire to see the new one as soon as it comes out. 

Book Review: The Last Little Blue Envelope

I didn't have this book on the list of 2011 books I hoped to get around to reading in 2012 but that was because I had forgotten that Maureen Johnson had put out two books last year, not just The Name of the Star. Actually, I was also a bit surprised that this book exists, it's a sequel to one of her earlier works, Thirteen Little Blue Envelopes, which I thought stood perfectly fine on it's own and didn't see why it needed a sequel. In the original, Ginny Blackstone has received a package of letters from her dead aunt encouraging her to go on a crazy journey all across Europe, grows as a person, discovers more about her aunt (who had been rather eccentric and hadn't been in her life a lot the last few years) and eventually comes across her aunt's hidden collection of paintings and auctions them off. In the process however the last of the thirteen envelops is stolen along with Ginny's backpack and she's resigned herself that she'll never see the real thing, even though she figured out what the contents must've been. It's one of my favorite realistic fiction YA books because it's rather whacky, and who wants to read boring realistic fiction, so even though I was rather confused why it needed a sequel I was completely up for more crazy adventures.

The Last Little Blue Envelope by Maureen Johnson

  I'm not particularly fond of this cover for no real reason (well, it's pretty clear to me that the title was added onto the envelope in post-production which bothers me) but it works. Maybe I just don't like all of the pinks, reds, and blues together, the colors seem to clash a bit.

Summary: Ginny Blackstone's adventurous summer is long gone and, as she's racking her brains trying to come up with a way to fit it into her college application essays, she gets an email from someone who has found her missing envelope and tracked her down. There's a catch however, the boy who found her envelope (Oliver) won't simply give it to her but insists on accompanying her as she follows the final instructions in yet another jaunt across Europe. Ginny's kinda-boyfriend from the first adventure, Keith, and his sorta-girlfriend as they all get involved in various hi-jinks.

The Good: The tone that I liked so much in the first book returns here and Ginny's adventures manage to oddly feel more realistic because of it's weirdness. The main events are certainly stuff that would only happen in a novel (breaking into a restaurant to steal a table? sure!) but I really did love a lot of the little moments, like when all four characters and said table are all trying to fit in a small car. I know that my life has plenty of quirky little moments in it so for me these two books feel a lot more realistic and like my life than most of the realistic fiction out there and it's a nice feeling. I also liked how Ginny progressed here, she's regressed a little bit from the end of the previous book (which is to be expected after she went back to her ordinary life for four months) so it was nice to see her grow back into herself and see that she finally gets some closure about her aunt's death. Really that was my favorite part, seeing her get that closure that she always wanted in the first book and didn't quite bit and letting that help her move forward in life.

The Bad: A small nit-pick, Ginny is applying for colleges in late December/early January (assuming she really did wait until her adventure was over to finish writing her essays) which seemed really late for the US*. As for bigger nit-picks, I understood why Keith was in the story again (Ginny has a history with him and that subplot is unresolved) but he just didn't add anything to the story. His girlfriend for me added much more, even though she seemed a bit extraneous, and Oliver's story felt rather unfinished. It's a short book, just under 300 pages, but I thought for someone who is so important to the story that Oliver would really get more development and in the end all there is is a bit of an awkward relationship. I was also sad that Ginny's uncle Richard didn't get more page time but since he's in London and the story spends over half of it's time not in London that's fairly understandable.

So I liked the tone of the book, really liked Ginny, and thought that every other character came off as unneeded which is odd since without these other characters the story wouldn't have happened in the first place. In the end the book was alright but I really need to reread the first book now to see if Keith really wasn't as nice as I remember or if his apparently personality change happened between the two books.



*in the US you generally apply in October for early admission, where you hear back in late January, and then by late November/mid-December for regular admissions (where you would hear back in the spring). I suppose applications might be open until December 31st but I recall doing mine a few years ago much earlier and with how studious Ginny is set up to be that bugged me.