Webcomic Review: As the Crow Flies

I had completely forgotten until I started writing this review but Gillman was another artist I met briefly at Small Press Expo last year (seriously, if you are in the District/Maryland/Northern Virginia area you need to go to this con) and they laughed a little bit when I said that I thought the story was wrapping up soon. To me it seemed as if the major reveals had been made and we were being set up for a climax with a quick downturn but Gillman said that there's a lot left to this story, I'm hoping now that I haven't jumped the gun and reviewed it too early.

As the Crow Flies by Melanie Gillman

Comic Review: Bayou (Volumes 1 and 2)

Sorry for the delay guys, for some reason I seem to be stuck working closing shifts all the time at work (I've been home for dinner once in the past seven days, hurray) and once I get home I'm so spent from dealing with prissy holiday retail customers and from dealing with your usual mix of coworkers (some great some not) it's hard to write something that I'm satisfied with. 

As for the actual review, if I had realized that this wasn't the full series I might have chosen not to review it, since my library had two books I just assumed that was all their was. Of course, having done a little research now I can see that the second volume came out in 2011 and there doesn't seem to be any word on when a third volume will be out which is always worrying. I'm fairly sure that volume two isn't supposed to be the final volume not only because I don't see anything saying that it is but also because, well, it's not a good stopping point for a story.

Bayou (volumes one and two) by Jeremy Love

Summary: Lee and her father are sharecroppers in rural Mississippi and life isn't good, or safe, if you're not white. Determined to prove that her father was wrongfully imprisoned Lee goes on a journey to another world to bring back the truth.

The Good: It's not easy to set a story in the historical American South (historical fiction these days is usually defined as stories set pre-1950 but that statement holds true up until at least the 80s) because all of the opposing forces of American culture and politics, especially in regards to personal beliefs and people's rights to exercise them are amplified to the extreme. Therefore it's hard to write a story that acknowledges them, since they are at least on a basic level a part of everyone's life, and Love I feel like greatly succeeds with his refusal to romanticize or attempt to explain roughly Great Depression area Mississippi near New Orleans. With that as a base the rest of the story flows well, in the real world at least, and I did like the mythology he created, it was both old and new and felt really interesting.

The Bad: I believe I've said this before at some point but making a story by re-imagining another, older one is hard. Doing that with a well-known, trickster character is harder yet and I think a large reason why the second volume just didn't sit as well with me was because of Br'er Rabbit. He was so different from the stories I heard as a six or seven year old and in such a way that it felt like Love was trying to be "edgy" not "an alternate look at a well-known character". The story also seems to be setting itself up for a reveal I'm not a very big fan of in fiction, one that I feel like exists to suddenly give another character sympathy without having to do anything and when that appeared in the last few pages it really did sour my mood on the entire story. Other than that, I do feel like the pacing doesn't quite match the plot, in some ways Lee's story has a very tight deadline but the story seems to meander a bit to give the character's more time for, well, meeting other side characters I guess?  

The Art: The art style isn't one I favor, I just don't like the too-soft, as if everything was colored using the gradient tool, art style and the designs were a bit strange as well but there's certainly nothing wrong with it. Although, when you combine the fact that I'm not wild about the art with the fact that I think the story is about to do something I dislike I'm not exactly foaming at the mouth waiting for the next installment.


It's a little hard to rate this, there's not much wrong with the story, aside from the pacing a bit, yet it just didn't connect with me. I think that if I was reading the completed story at once then I probably would have liked it more but again without even a whisper of when the third volume will be out that's not going to happen anytime soon.  

Book Review: The Summer Prince

This is a book that I was really hoping to have a chance to read (futuristic Brazil sci-fi? I'm in!) and I was surprised that I found it so quickly at my not-so-local library, although I feel like they either do a better job at getting YA books faster or at least make their new books more visible. And even without already knowing about this book I think I would have picked it up anyway because of how gorgeous the cover is, normally I'm a little leary of putting green and yellow right next to each other (it can make things look sickly really easy) but, if the cover here doesn't fully convey it, it makes the cover just pop and I hope a lot of other people pick it up for either of those reasons.


The Summer Prince by Alaya Dawn Johnson

Summary: 400 years ago the world became a nuclear wasteland and while humanity still survives most of the world does so in the ruins of it’s former glory. One of the few exceptions to this is the city-state of Palmares  Tres, a giant city in modern day Brazil which has thrived because of it's isolation and rules made by all of its ruling ladies. While they resist much technology being created by the outside world they have embraced some of it and become extraordinarily long lived and because of that few young people have any say in anything about their world. Many want their world to change but few succeed in the way that June and Enki manage, her by being a modern artist whose work is compelling and different and him by becoming the Summer King, the highest position any man in the city can hold which occurs once every five years and after a year of power will be ritually killed in order to reaffirm the authority of Palmares Tres' queen. 

The Good: Johnson creates a futuristic setting that is neither dystopian or utopian (that’s actually a dystopia) which helps make it one of the most realistic science-fiction settings I’ve ever come across. This isn’t a little detail either, the struggles and conflicts of the city are the center and heart of this story, it's Enki's reason for becoming the Summer King in the first place, and Johnson succeeds wildly in portraying a city where ordinary people live and are unsure of what future they should follow and where politicians have a mix of their own and everyone else's wishes as their goal. As for all the other parts of the setting, I’m a sucker for a story with strong settings and the way that the technology is integrated into everything and is explained so casually is what really makes the story for me. Johnson creates a setting that is mostly foreign to me but does it with such confidence and vivid descriptions that I had no trouble accepting it* and, once I figured out how the city was laid out, visualizing it. I also loved the kind of art June did, in real life I'm not a big fan of modern art (or post-modern, I'm not completely sure which one hers is) but two things made it work here. One is that I'm simply of tired that nearly every time there's a character in any story whose an artist that they normally sketch or paint, it just gets a bit tedious. And secondly because June's art makes so much sense in this setting, it's wild, it's thought provoking, it makes use of the materials in and around her city. It ends up being a perfect fit with her character, Palmares Tres, and with the entire story.  

The Bad: There was a lot of unfamiliar slang used in the book (I don’t know if it’s real, Brazilian slang or made up for the sake of the book) and I wish that there had been a small glossary in the back since I was never able to pick up on what some of the words meant when they were only used once or twice. I also wish the ending had been a slight bit clearer, I had a few questions which I don't I was supposed to have and just a paragraph or two could have cleared them up (unless I was supposed to have these specific questions in which case obviously the story succeeded). Finally, by the end I had a few problems with how Enki grew and developed. Some people might consider this a spoiler so I shall try to be as vague as possible, Enki does A Thing which ultimately results in a change in character, I'm not exactly sure it can even be called development since he doesn't have full control or choice over changing, and I felt like this short-changed the story in some ways. I'm entirely sure that this was all deliberately done, Enki is supposed to be a tragic character after all, when I remember where he started and the goals he had then, versus what he was like by the very end well, I wish that had been pulled off a little differently.


So for a story with an amazing setting, interesting characters (all of whom are non-white I should note, both due to the gene mods and from growing up in a culture which has more than just American or European influences), and two prominent gay relationships (plus a take on a love triangle which is a bit different than usual) I'm giving this book four out of five stars, plan on buying it someday and plan on checking out Johnson's other works. And while recommending this I'd also like to mention some books that I was reminded of while reading, Nnedi Okorafor-Mbachu's Zarah the Windseeker which also has a great, vivid setting whose inspiration was completely foreign to me yet I fell in love with due to how confidently Okorafor-Mbachu described it and Karen Healey's The Shattering but for slightly spoilery reasons, it and The Summer Prince have one rather large plot element in common but it's done completely differently. 






 
*well, except for the one detail of people having children after they turn 50 and much later than that. But, given the passing mention of gene mods and that people’s skin tones must fit into a certain range of colors I can easily hand wave that and say that they just do something either to the uterus or eggs to make this viable. And really, I have just one problem with the technology out of a story which is chock-full of it and is one of the main plot drivers? That’s amazing!