Log Horizon by Mamare Touno
Reviews of books, manga, anime, tv shows, movies, and webcomics. If it has a plot then I have something to say about it.
Showing posts with label economics. Show all posts
Showing posts with label economics. Show all posts
Saturday, January 30, 2016
Book Review: Log Horizon (volume two)
A short review for a short book? Fine by me! And for people who have forgotten, I have seen the Log Horizon anime (and enjoyed it hence why I've been buying Yen Press's release of the novels) but I will try not to just compare the two!
Tuesday, May 7, 2013
Anime Review: Maoyu
Sometime last year I was reviewing on of the Spice and Wolf novels (really need to catch up with those at some point) and someone commented telling me about one of the manga adaptations for this story which I read, enjoyed, and thought "hah this is never getting an anime, it's too obscure!" Well less than two months later one was announced and I happily ate my words, although judging by the rather poor sales so far (I think each volume has been under 2500 units each, not nearly enough to recoup costs) I might have been right thinking that this story was just too niche for people to appreciate, although I think there were other factors involved too.
Maoyu (Maoyu Maouh Yuusha or Archenemy and Hero)
Maoyu (Maoyu Maouh Yuusha or Archenemy and Hero)
Summary: The demon and human worlds have been at war on and off for a long time and finally the human's Hero has managed to make it all the way to the Demon King's (Maou) stronghold in an attempt to assassinate him, only to find that Maou is actually a lady and she has been waiting for him in order to put into motion a plan that will stop the war. As she explains with her charts and papers the reason the war has been going on so long is because it's profitable for both sides and if they truly want to save their worlds then they'll have to end the war slowly and secretly, something Hero has a hard time understanding but accepts and thus a very strange partnership was born.
The Good: I was able to actually follow the economic here for the most part which was nice since in Spice and Wolf, even when they took the time to explain everything in great detail, usually lost me there which was frustrating. And in many ways the story feels smart or at least genre savvy, plot wise the characters are on top of things, can figure out how to counter their enemies efficiently, heck its very premise is to take a very well worn trope and run in completely the opposite direction with it. I like those sorts of premises and it was enough to keep me interested in the show all the way through.
The Bad: I've seen a lot of people give this show crap because "look at the character's names, they're all 2D stereotypes!" which seemed especially unfair because it was being said two or three episodes in. In the end neither Hero nor Maou are very deep characters, they have their moments but in the end some of the side characters end up being more fleshed out which isn't necessarily a bad thing, although I would like liked Hero and Maou to be a little less stereotypical in some ways (mainly concerning their relationship) and the story probably would have been better for it. I also saw people giving the story crap since not only did it originate on 2ch (which I had known) but it was actually written without an outline but just taking suggestions from readers (which I hadn't). The story was reworked before being printed so honestly I think a lot of those complaints fall flat but I do wonder if the story would have dragged out it's love triangle for so long otherwise. For me though the biggest problem of the show was it's pacing, which seemed a bit strange from the beginning where it was too slow in one or two places and then too brisk the rest of the time, and even with that it didn't cover the entire story. I, like many people, do tend to gravitate to the adaptation of a story I see first and maybe it's because of that but I do really think that the Kotowaru manga just had the pacing work a bit better and that that makes a world of difference.
The Audio: It took a little while but the opening song for Maoyu eventually grew on me but then again I said the same thing about UtaKoi's song and they both share a shrillness at points which I don't think many other people like. The ending song felt much smoother and fit the tone of the show a bit better, although as a warning the images for the opening and ending songs both give away the entire story (it's a bit less obvious for the ED but someone translated the cipher and it laid everything out quite plainly). In a bit of an odd twist, this show shares the two lead voice actors with Spice and Wolf (they were the same ones who had done the earlier drama cds) but since it's been years since I've seen SW that I didn't mind and might not have noticed if other people hadn't pointed it out. All the voice acting seemed fine regardless, no real stand out or problematic moments for me anyway.
The Visuals: It did take me a little while to get used to the anime designs vs the designs from the manga I was more familiar with (for comparison's sake, novel art is the far left, the manga is the one next to it and anime is the far right) but after I got used to the character designs everything (except Maou's boobs, physics simply does not work that way and when I looked at some comparisons with the BRs I swear they actually made them look a tiny bit more realistic) looked fine. I was a bit surprised at how painterly some of the backgrounds look since the anime character designs don't look painterly at all but it was a nice touch and worked well with the feeling of the story.
Now for the tricky part, my overall feelings. While I would watch more if a second season came out, and I would buy the Kotowaru manga if it came over, I don't think I would buy a copy of the anime since it had enough pacing issues and such that, well, it just didn't work as well as I think it could have. And even though the anime is streaming on crunchyroll to the best of my knowledge no US anime company actually picked it up for licensing so I'm unlikely to have this dilemma for real anytime soon. With that I give it a 3 out of 5 stars for average, not terrible but could have been better and I rather wish it had been.
Labels:
anime-2013,
economics,
fantasy
Saturday, June 23, 2012
Book Review: Spice and Wolf volume 5
So it appears that before I did have a good reason to worry that Yen Press had only licensed the first six (novel) volumes of Spice and Wolf since that was the case, however recently they announced they had licensed I believe the next three which actually makes me less worried. Sure the whole, 17 volume series isn't licensed but licensing through volume 9 shows that there is a market for them (or at least, the series is selling at or above what they predicted) and that they will license more if there is demand for them. So I guess my job now is to keep reviewing the books and convincing everyone else that they're worth buying huh?
Spice
and Wolf (volume five) by Isuna Hasekura, illustrated by Jyuu Ayakura
Summary:
Covering the same material as the second arc of the second tv season, Holo and Lawrence have arrived in the
town of Lenos where they have heard a town chronicler might have more records
of where Holo’s elusive home of Yoitsu lies. A fellow merchant introduces them
to him but they want some help in return, help with a risky endeavor involving
the town’s fur trade that might end up being more than they can chew.
The
Good: The books continue to excel in creating
secondary characters that don’t feel like repeats of an earlier side character
and are rather fleshed out for characters who (probably) won’t ever appear in
the series again. This is a bit easier to accomplish in a story that spends a
lot of time with the characters sitting around and talking but when you think
about it it’s impressive just how many characters Hasekura has been able to create
without repeating traits (and there are still 12 more books to go!). There was
also some very good foreshadowing this time around and once again felt like a
solid installment.
The
Bad: So far the stories have been rather good at
explaining the economics and politics that make up the various situations and
I’ve been able to follow along (and having already seen many of the stories in
anime form has helped) but this one did confuse me quite a bit. This didn’t
make me like the story less per-say but when everything was said and done I
wasn’t quite sure what had happened and I do hope the economics in the next
book are easier to follow.
Despite my trouble with the economic parts I still thought this was a good installment, although I must confess I'm more excited for the next book since then we'll be dealing with completely new material again. Funny enough by now I really want to watch the anime series again, it's been a few years since I've seen it, I've now read all the source material, and Funimation has some rather good prices for both seasons now, hmmmm.
Sunday, October 23, 2011
Book Review: Spice and Wolf (volume four)
Funny story here, I didn't actually mean to get a copy of this book when I did. Back in August I had my mom place a RightStuf order for me (since I was going to be out of town when the final Utena set went on pre-order and I was afraid they would sell out of the rings before I had a chance to order) but a few things went screwy, my mom accidentally placed two orders instead of one and I didn't know about this until TRSI had a Yen Press sale and I went to add this volume to my cart and discovered that not only was it already in one of my orders but it had shipped as well. Oops, although I wasn't too unhappy at this turn of events since I wanted to read the volume soon anyway, especially since volume four was not covered by the anime (season one covered volumes 1 & 2, season two covered volumes 3 & 5) so I was curious to see if there was a reason Brains Base had chosen not to animate this novel.
Spice and Wolf by Isuna Hasekura, illustrated by Jyuu Ayakura
Here is the American cover which is also better than the previous ones but the plain white background bothers me, sure there are regular novels with white backgrounds but it's usually a very minimalistic style cover and this just isn't minimalism, especially with that kind of font used for the title.
Summary: About a week after their last adventure, Holo and Laurence are searching for an abbey they heard about in Kumerson that has a large collection of pagan tales and hopefully more information on Holo's lost hometown. But when they arrive in the village of Tereo they encounter unexpected resistance and an interesting arrangement between the village and the nearby town of Enberch.
The Good: I'm not sure why this story wasn't adapted into the anime version (perhaps it's too similar to the next story?) because it was a fairly solid story that uses yet another point of commerce for it's conflict and has a rather clever solution in the end. Holo and Lawerence's relationship continues to progress forward slowly (it's a little hard to remember that the novels only have a short gap of time between them, that makes the speed the relationship is developing at seem much more realistic) but there certainly is progress for both of them.
The Bad: The ending does feel a little bit like a deus ex machina (funny enough, it both kinda is and is supposed to be seen as one) but I still thought it was a clever solution. Elsa (the priest in Tereo and one of the major characters) felt a little flat to me despite Hasekura's attempts to make her a more rounded character however. She had quite a few scenes and made decisions but never seemed to have a lot of personality to me and I simply had a hard time caring about what she was doing as a result. The other side characters were much more interesting (such as the village elder, the miller and the bar keeper's wife) so I was sad that Elsa felt so dull for the entire story.
The Art: The illustrator for Spice & Wolf is the same as the previous novels so the art remains unchanged. The designs are a little too simple for my taste (which is odd, generally light novel art is more intricate than manga art which is turn is more complicated than anime artwork) but I really do like Holo's look on the cover.
So another good addition to the series, now to hope that it stays that way for the remaining 13 volumes. Funny enough this is the only Yen Press series I'm not behind on, really hoping that next year I can take advantage of more of TRSI's sales so I can try to stay that way since it's so frustrating to be volumes behind on the releases.
Spice and Wolf by Isuna Hasekura, illustrated by Jyuu Ayakura
Here is the American cover which is also better than the previous ones but the plain white background bothers me, sure there are regular novels with white backgrounds but it's usually a very minimalistic style cover and this just isn't minimalism, especially with that kind of font used for the title.
Summary: About a week after their last adventure, Holo and Laurence are searching for an abbey they heard about in Kumerson that has a large collection of pagan tales and hopefully more information on Holo's lost hometown. But when they arrive in the village of Tereo they encounter unexpected resistance and an interesting arrangement between the village and the nearby town of Enberch.
The Good: I'm not sure why this story wasn't adapted into the anime version (perhaps it's too similar to the next story?) because it was a fairly solid story that uses yet another point of commerce for it's conflict and has a rather clever solution in the end. Holo and Lawerence's relationship continues to progress forward slowly (it's a little hard to remember that the novels only have a short gap of time between them, that makes the speed the relationship is developing at seem much more realistic) but there certainly is progress for both of them.
The Bad: The ending does feel a little bit like a deus ex machina (funny enough, it both kinda is and is supposed to be seen as one) but I still thought it was a clever solution. Elsa (the priest in Tereo and one of the major characters) felt a little flat to me despite Hasekura's attempts to make her a more rounded character however. She had quite a few scenes and made decisions but never seemed to have a lot of personality to me and I simply had a hard time caring about what she was doing as a result. The other side characters were much more interesting (such as the village elder, the miller and the bar keeper's wife) so I was sad that Elsa felt so dull for the entire story.
The Art: The illustrator for Spice & Wolf is the same as the previous novels so the art remains unchanged. The designs are a little too simple for my taste (which is odd, generally light novel art is more intricate than manga art which is turn is more complicated than anime artwork) but I really do like Holo's look on the cover.
So another good addition to the series, now to hope that it stays that way for the remaining 13 volumes. Funny enough this is the only Yen Press series I'm not behind on, really hoping that next year I can take advantage of more of TRSI's sales so I can try to stay that way since it's so frustrating to be volumes behind on the releases.
Monday, July 4, 2011
Anime Review: [C] Control
Here is the other noitaminA show of the season, [C]. A nice balance to AnoHana (the spring season is actually a nice balance to the shows in the winter season, fantasy/adventure and growing up transgender slice of life vs dealing with grief & growing up slice of life and magical economic battles) C doesn’t quite feel like a show that should be in the noitaminA block but it was directed by Kenji Nakamura who seems to do a new show in the block every two years (he directed the Bake Neko arc in Ayakashi-Samurai Horror Tales, the spin-off show Mononoke and then Kuuchu Buranko(Trapeze) although this is his first work that I’ve seen (really need to see Mononoke someday). Like AnoHana it’s an anime original story with plenty of strengths and weaknesses and was an interesting watch.
[C] Control-The Money and Soul of Possibility
Summary: Yoga Kimimaro was an ordinary college student who works two jobs and whose goal in life is to hold a stable government job and be able to raise a family with enough money to provide for them. But one day he is dragged to the Financial District and forced to accept their offer, money with his future as a collateral and engage in weekly fights (deals with an asset the Financial District provides him with, Mashu, literally a manifestation of his future) to keep from going from bankrupt and losing everything.
The Good: The show seems to be trying to say that there is no right or wrong way to save the economy, just different ways with pros and cons (much like Eden of the East) and it does succeed on this point (even if the only two options the characters seem to come up with is sacrifice the present for the future or save the present so there will be a future, literally in both cases). And towards the end of the series when it's clear that the world is in trouble and the heroes need a plan to save it they actually come up with a rather good plan to counter the current problem and that couldn't really be done any earlier because of how much damage it causes. Finally, while the show itself doesn't try to explain real world economics (Spice and Wolf does that better), if someone was to look up various phrases uttered in the show (such as the attacks the assets use in deals) they would actually learn a little about various techniques and plans used by real world companies in business deals.
The Bad: This show really needed a few more episodes (maybe just two more to make it a full 13/one cour) since it spent so much time focusing on Yoga exploring the world and what various people are trying to accomplish in the Financial District and then immediately switches to the final fight. Not only is it a jarring change of pace but it means that Yoga spends two-thirds of the series wondering just what he should be doing and then he suddenly makes up his mind without any problems. The ending was too ambiguous in places* and really, some of the events leading up to the climax needed more explanation as well. Finally, it's said several times in the show that the Financial District works by taking someone's future as collateral and then giving them money but how exactly does the FD have that kind of power? None of the characters even question this and perhaps the supplementary material explained it better but, as it stands, there is no reason given why the main mover and shaker of the series even exists which isn't a good thing.
The Audio: Funimation translated both the opening and the ending song but neither of them sounded like they were actually talking about the show. I preferred the opening to the ending for the way the beat matched up with the visuals (and the visuals of the opening at least connected back to the show) but neither song really got stuck in my head the way a really good opening or ending will. There was a lot of Engrish in the show at times and some characters were better than others (Jennifer had the weakest performance) and all of the government officials spoke decent English, glad to see that having background characters who sounds like they know the language is becoming more common these days.
The Visuals: The show looks fine in some places and not-so-fine in others, which might be due in part to the aftereffects of the Tohoku earthquake (I’ve seen a few studios admit that hurt them) and also from saving their budget for the last big fight. That last fight is a pretty amazing one, although that still doesn’t excuse all the scenes earlier on in the series where the characters would suddenly and randomly be CGI instead of traditionally animated (especially since that fight didn’t need to go on as long, ie, didn’t need all of that budget). Other than that, both the opening and closing sequence are interesting to look at^ and the financial district has some cool designs but everything else looks fairly average, there’s nothing bad or especially good about it.
So it seems that again the noitaminA show I enjoyed less is the one that has gotten licensed first (Funimation annouced DVD/BR rights for this this past weekend) and I honestly don't know if I'd buy this one. It wasn't a horrible show, not at all, but it really could be better and honestly I can't figure out why this series wasn't at least paced better (it's in the noitaminA timeslot, you KNOW it's only 11 episodes!). Maybe if all the CGI was cleaned up and it has some good extras I'll get it but Funimation usually doesn't get a ton of extras on their DVDs so I'll just have to play this one by ear.
* this post has the best theory (in my opinion) on what happened in the end, spoilers for the very end of course, but even that theory contradicts some information that was on the Japanese site (it sounds like there was some side information on the site but, since it wasn't translated as far as I know, that doesn't help me here)
^check out here about some of the tarot imagery that popped up in the show, there are a few other posts on the blog about symbolism that popped up in the later episodes as well,
Saturday, April 30, 2011
Spring Anime 2011 Reviews, part one!
And for something a bit different again, going to give my thoughts on all the new anime from this past spring season that I've tried (so, if anyone really wants to know what I'll be reviewing in three or six months, consider this a sneak peek). Since I tried out eight different series this spring I'm going to split this into two parts and I'll put the second part up tomorrow, once I write in anyway.
AnoHana (Ano Hi Mita Hana no Namae Boku-tachi wa Mada Shiranai. or We Still Do Not Know the Name of the Flower We Saw That Day.)
One of the two new noitaminA shows premiering this season, it's an anime original story about a group of friends who grew apart after one of them died when they were kids and are starting to reconnect almost ten years later. The reason they're starting to re-connect is because Jintan, originally the leader of the group and now a hikkimori, has started being visited by Menma (the girl who died) and is trying to grant her wish so she'll leave him alone again, although even Menma isn't sure what her wish is. It's a surprisingly touching show and, while it is paced fast (it's going to be only 11 episodes long so it has to move fast) everything feels like it's progressing at a natural pace, can't wait to see where it goes!
Sadly this one does not have a simulcast and makes it my one fansub of the season, I'd forgotten how annoying it is to wait around for fansubs too.
Blue Exorcist (Ao no Exorcist)
Taking over Star Driver's timeslot this is a shonen series based on the manga by the same name (now being published in the US by Viz) and so far I like it a bit. The premise is that Rin is the son of Satan (while his twin brother Yukio is not) and after the events of a second episode spoiler has sworn to kill Satan by becoming an exorcist. While teenage rebellion isn't a new thing in anime (or any media) this is a different take on it and Rin is a pretty likable protagonist. I'll confess that after the first episode I read ahead in the manga (I didn't mean to! It just sorta-kinda, well, happened!) so if the pacing stays consistent this should be a pretty fun ride.
Blue Exorcist is being simulcast by Aniplex and streaming on crunchyroll.com, hulu.com and animenewsnetwork.com not 100% sure what the restrictions are on it but everyone in the US and Canada should be able to see it. Also, I am torn between laughing or being embarrassed on behalf of the ending sequence (animation and song), keep an eye on the tv screens to see what I mean. [C]-CONTROL-The Money and Soul of Possibility
FYI, this is another title that has a lot of alternate spellings, I'm fond of calling it C(ontrol) myself but C-Control seems to be the most widely used one*. The other noitaminA show, also anime original, C deals with a Japan a little in the future where everything seems the same except for a mysterious alternate world called the Financial District where people engage in "deals" (battles) with other people's "assets" (anthropomorphic representation of their futures), putting their own futures on the line for riches. Kimimaro Yoga is a full time college student holding down two part time jobs who just wants a stable, normal government job and wouldn't like to be involved in any of this, no thank you, but he's our protagonist and like it or not he's got to continue in these deals now, and maybe he'll learn something about his family in the process.
C is being streamed for US and Canadian residents on Funimation's website (which, now that they changed their video player, let's Canadians watch the videos now) as well as on hulu and youtube. I think that it's also being streamed on ANN for Australia or the UK but I'm not positive.
Deadman Wonderland
It used to be that when people in the US thought of "anime" they thought of much darker and gritter cartoons than produced in the US and Deadman would certainly fit that description. Within the first episode our main character Ganta has watched all his classmates be brutally murdered in front of him, been convicted with the murder of them due to some faked footage of him confessing, sent to the only private prison/amusement park in Japan (Deadman Wonderland) which makes all the prisoners put on shows for the customers in order to raise money to re-build Tokyo. Oh, and some of the people there want to kill Ganta before his execution date, if the poison seeping out of his (and everyone else's) collars doesn't kill him first, is that enough action for you yet? I'm a little worried since fans of the manga say that there is no way you can tell the story properly in just 13 episodes and there's a rumor that the series is only planned to be 13 episodes, as long as the story has enough episodes we should be fun.
This one is streaming on crunchyroll.com I can't seem to find out what regions at this time, and it's streaming on Anime on Demand for anyone in the UK. Final note, this one has my favorite opening song of the series so far, the Engrish was so good I had to double check to make sure they hadn't gotten an English speaking band instead.
Whew, wrote up most of that between exams (gah, I hate double exam Saturdays) and I'll get the other four reviews up tomorrow sometime. Don't have much else to say (except that I have discovered an amusing number of similarities between Blue Exorcist and The Demon's Lexicon^) so see you then!
*actually, when it was first announced it was just announced as "C" prompting a joke or two that AnoHana stole it's other letters.
^No seriously, in both series we have a set of brothers, one of whom is actually a demon (Rin and Nick) and the other brother (Yukio and Alan) has A) known about this for years and B) is desperate to keep them safe. Add in the fact that both demon's use swords (although sadly Rin does not keep his under a leaky sink in the bathroom) and both of the other brothers use guns, plus even their "allies" would rather use the pairs than help them. So it's not surprising that my mind made that jump, although I am sad that Mae and Jamie (from The Demon's Lexicon) don't have Blue Exorcist compatriots as well, stories need more pink-haired, totally normal yet still awesome girls/boys and more witty gay boys/girls!
Wednesday, April 20, 2011
Book Review: Spice and Wolf (volume 3)
Wow, I remember reading volume two way back in August but I just had so much else to read/buy that I didn't get this volume until my local Borders hosted their going-out-of-sale sale back in March. Fans of the anime will recognize this arc as the first half of season two (which is streaming on Funimation's website I believe but not yet out on DVD) and, as before, if you haven't read the previous books or seen the first season of the anime you're going to be a bit confused. Yes the plots of each book is rather self-contained but this is a very character driven drama and, if you don't know where the characters are coming from, you can't really appreciate where they're going.
Spice and Wolf by Isuna Hasekura
This is the only picture I could find of the American slipcover (I'd provide a better photograph myself but my copy of the slipcover is two hours away) but they're getting more and more similar. My only complain there is for them to get an actual tail and ears for the model to use, the airbrushing in photoshop looks awful and, speaking from experience, the tail and ears aren't even that hard to make.
Summary: Continuing in their travel's north towards Holo's homeland, Holo and Lawrence end up in the town of Kumersun and plan to stay a couple of days to enjoy the festival. But when the young fish merchant, Amati, becomes smitten with Holo and resolves to pay off her "debt" to Lawrence the two end up with a much more exciting stay than they bargained for.
The Good: It's a new book which means a new economic quandary for Lawrence (and Holo, although she is more the cause of if here and doesn't help out as much) and the solution is very different from what the characters have had to do so far. The book also provides more information on Holo's hometown of Yoitsu (and seems to foreshadow who they will talk to about it in the next book) and hints that there are even more supernatural forces in the world than the duo have encountered so far. The book also tests Lawrence and Holo's feelings for each other even more so the story manages to have character growth, central plot progression and a story that is neatly wrapped up in one volume, not bad at all.
The Bad: Despite how well the story explains the various economic escapades, it's still going to take a little while to understand for the average non-business person to understand Lawrence's plan*. It's also frustrating to see Holo, who is always held to be the more mature one of the pair, simply break down, Lawrence's inability to explain what was really going on and, in the end, it's still somehow his fault and he's the one who has to apologize. Hasekura says that he has finally remembered how to write his characters but they still don't seem quite like the duo from the first book.
The Art: For an 18 or so year old boy, Amati looks awfully young. He looked rather young in the anime as well actually and now it's clear that wasn't a mistake on the animator's part, it comes from the original illustrations. Aside from that bit (which was distracting admittedly, it's hard to take his marriage proposal seriously if he looks that young), the art is consistent with the designs from the other two novels and the cover is rather pretty as well.
So, still liking the story well enough and I believe the final volume has now come out in Japan (volume 16, either that or the final volume will be a collection of short stories, volume 17, haven't seen anyone confirm which one it will be yet, although dammit I found a detailed, unmarked spoiler of the ending on a forum the other day, not happy about that). So just another six more years or so until all the volumes are out in the US, jooooooy.
*I'm speaking from my own experience here, I have a general grasp on economics but it still took me about fifteen minutes of mulling his plan around in my brain before I finally grasped how it was supposed to help him.
Labels:
economics,
isuna hasekura,
light novel,
yen press
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